
Between Today and Tomorrow
MFA Studio Art Candidates
January 19, 2026 - February 06, 2026
Snelgrove Art Gallery
Curated by MFA Studio Art Candidates
Gallery Hours: TBC Various programming and events to be announced alongside exhibition. Check back soon
About the Exhibition
A Studio Intensive, where our MFA Studio Art Candidates take over the Snelgrove Gallery for three weeks
About the Artists
Müveddet Al-Katib is a multidisciplinary, socially engaged visual artist and an MFA candidate at the University of Saskatchewan. She completed her BFA in Antioch, Türkiye, where her early artistic development was shaped by the region’s art, history, and cultural landscape. In 1998, she immigrated to Saskatoon, where she has since cultivated a practice informed by both her cultural traditions and her lived experience as an immigrant artist in Canada.
Her work investigates migration and cultural identity through the geometric language of Islamic architecture, bridging traditional visual systems with contemporary Western perspectives. Through visual dialogue, she examines cultural adaptation, cross-cultural communication, and how truth is shaped by shifting perspectives. Her work carries the lines of tradition while shaping a new visual language, using painting and mixed media to explore the convergences and divergences between East and West, and to consider how memory, place, and inherited forms shape perception and belonging.
I am a Canadian of Indian origin, a multi-disciplinary artist, and an MFA candidate at the University of Saskatchewan School for the Arts. My primary research interests include community, landscape, land, and migratory experiences—human or material journeys—along with memory, presence, and absence themes. I have honed these interests through various media, such as sculpture, photography, printmaking, drawing, and ethnographic research methods. My connection to diverse lands, cultures, and the narratives of different people inspires my artistic journey. I start with experimentation, research, and a desire to understand my materials. I aim to create a dialogue between myself, my chosen materials, my methodologies, and my viewers. My work often fosters reciprocal relationships by promoting listening and sharing of stories. An ongoing question, "What is the connection between art and me?” positions me in a state of receptiveness—between the known and unknown in each piece I create. As I attempt to answer this question, a pattern of connections emerges among my childhood experiences, stories, memories, and relationships up to this moment.
Veronika Chermenskaya is a young Russian-Jewish artist, who recently relocated from Israel for her MFA in Studio Art. She merges traditional drawing with animation using a variety of digital software to immerse the viewer in mental states that provoke transcendental experiences. Anchored in memory, Veronika’s work allows her to journey through time, place, space, and states of mind. She depicts specific places where each remembered detail acts as a type of object mnemonic.
Shona Dietz is a prairie based multi-media artist whose work has a strong connection to ritual and the everyday, involving memory and the aging process. Her practice is rooted in materiality and allegory; the history and associations of her materials become the content of both her installations and performance work. The alternate realities that she creates question our own perceptions of what or whose reality we actually live in.
Currently Dietz is examining how attitudes and behaviors can be altered by the experiential and perceptual shifts that occur if we are fortunate enough to age. These shifts rework the thought processes, creating random feelings of joy and comfort or fear and anger. Unexpected changes upset the status quo and greatly affect an individual and their communities, that is to say, all human connections - without bias. It’s a human thing…or perhaps it’s an animal thing?
Programming and Events
The Cisgender Gaze and Her Dissidents
Saturday, January 31, from 2 - 4pm
